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Radio drama (as distinguished from theatre plays boiled down to kilocycle size) began at midnight, in the middle thirties, on one of the upper floors of Chicago's Merchandise Mart.The pappy was a rotund writer by the name of Wyllis Cooper.Ghana Today The Information Gateway to Ghana offering the most recent Ghana based news, sport, tourism, diversions, music, dating and a great deal more.Ghana Today Radio official website address is radio doesn't start itself, please try another browser.Unsung pioneers of the art include: WLW's Fred Smith; Freeman Gosden and Charles Correll (who popularized the dramatic serial); The Eveready Hour creative team (which began with one-act plays but was soon experimenting with hour-long combinations of drama and music on its weekly variety program); the various acting troupes at stations like WLW, WGY, KGO and a number of others, frequently run by women like Helen Schuster Martin and Wilda Wilson Church; early network continuity writers like Henry Fisk Carlton, William Ford Manley and Don Clark; producers and directors like Clarence Menser and Gerald Stopp; and a long list of others who were credited at the time with any number of innovations but who are largely forgotten or undiscussed today.Elizabeth Mc Leod's 2005 book on Gosden and Correll's early work Another notable early radio drama, one of the first specially written for the medium in the UK, was A Comedy of Danger by Richard Hughes, broadcast by the BBC on January 15, 1924, about a group of people trapped in a Welsh coal mine.Audio drama can also be found on CDs, cassette tapes, podcasts, webcasts as well as broadcast radio.

Listen now by clicking the 'Listen Live' button at the top of the page.By 1930, Tyrone Guthrie had written plays for the BBC like Matrimonial News (which consists entirely of the thoughts of a shopgirl awaiting a blind date) and The Flowers Are Not for You to Pick (which takes place inside the mind of a drowning man).After they were published in 1931, Guthrie's plays aired on the American networks.Aware of this series, the director of Cincinnati's WLW began regularly broadcasting one-acts (as well as excerpts from longer works) in November.The success of these projects led to imitators at other stations.

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